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Please Sir, May I Have an Agent?

Jessica Digiacinto / Tuesday, January 26, 2010 View Comments

funny-pictures-starving-artist-kitten-asks-for-a-cheeseburgerIn news that isn’t really news, today’s artists are having a hard time making a living. And when they do make a living, they probably aren’t working on their art.

For the majority of us who majored in something that made our parents shift uncomfortably in their seats – or worse yet, acquired a graduate degree in that field, the reality of every day life is indeed a heavy one. Most of us won’t be discovered at an early age and catapulted to fame before we can mentally or emotionally handle it. Hell, most of us won’t even see the first letter in the word fame. But what we will see: bills, long hours at sucky jobs, and more reports about how today’s artists are having a hard time making a living.

I know plenty of talented writers who have settled into lives of little consequence (teaching, working 40 hours a week as editors and proofreaders, transcribing Japanese manuals into English…) because they got too damn tired of walking the poverty line. They fought the good fight as long as they could, but time eventually claimed its victory. They no longer cared if their masterpiece was ever published or garnered lavish acclaim, they just wanted to buy groceries without coupons and own a DVR.

Some people would shake their heads sadly at those teachers and proofreaders, but I don’t. The life of the undiscovered artist is way too hard to live forever, unless you like too much booze and too little food and the occasional misery-inspired drug overdose. I don’t fault a single young novelist turned full-time college professor. Their choice makes sense.

But what of those of us who haven’t decided to trade in our tiny apartments and lame, repetitive diets for flat screen TVs and health insurance yet? What about those of us who still have the chutzpa – or the insanity – to continue striving for our dream? Should we let those reports about how we’ll be poor and kind of unhappy for a long portion of our life depress us, or revitalize us into seeking a new way of fulfilled, starving artist living?

Are we going to continue the trend of toiling away until we join the masses out of sheer exhaustion, or are we going to push back until those reports become extinct?

Will the starving artist always be hungry?  I hope not.  I like french fries too much.

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  • http://www.candicedoestheworld.com Candice

    I think the key is to work our butts off at tedious 9-5 jobs while filling our free hours with our hobbies until we get famous. Yes, that always works…

  • http://decodingstatic.blogspot.com/ Andy

    It can be a slog combining 9-5 with writing and courses, but I enjoy it and it keeps me going in a job I want out of! The main problem is knuckling down to the writing in my free time!

  • http://www.litdrift.com JK Evanczuk

    Just found this today, and thought it was relevant to the discussion:

    It can be incredibly hard to balance work and art–and not to mention that whole ‘life’ thing you’re supposed to have in between. What I find works best is no sleep, lots of coffee.

  • http://kaytheod.blogspot.com/ Kay Theodoratus

    I think I take exception to teaching being a job of “little consequence”. Granted creating your own little universe can be more exciting than the numbing negatives of a 9-5, but even writing can be tedious when none of your characters behave.

    Maybe non-fiction is easier to write?

  • Jessica Digiacinto

    PS: I didn’t mean to make it sound like being a teacher or editor is of “little importance”. What I meant is that those jobs tend to have a lot less drama than the traditional “starving artist” lifestyle…

  • http://http;/thehallowedhaunting.com Naomi Hamm

    please, oh please, ze agent I seek you. I need cash up real fast! Free me from my writer’s starvation station and bless me with your help and guiding light.

    I can write and write to your extreme delight. On a deadline plan I am your slave.

    All you have to do is bellow. I have no bedtime curfew oh chew!

    Signed: The Starving but creative writer………

  • Mike W

    The starving artist lifestyle can go a few ways.
    1. You get success you deserve. Well done. Problem solved.
    2. You continue to be a starving artist and never get the success you deserve. In which case any reasonable person would raise serious questions about whether you are indeed deserving.
    3. You plow on but also get a sensible job. Don’t be ashamed to call it “material for your art” if that’s what it is. Keep at it.
    We all know that it’s impossible to goose the game in such a way that 1. is guaranteed. But it seems to be that 3. is preferable to 2.
    I’m lucky. Very incredibly lucky. I have a creative job which I love 90.5% of the time, but one that is sufficiently removed from writing literary fiction that I am not confronted on a daily basis with poisonous envy. But perhaps a key part of the battle is making your peace with 3. while retaining the spirit of 1.
    And to this I must say simply that I wish all of you all the best.

  • http://www.litdrift.com Tanya Paperny

    Get a job that pays you well. Don’t just settle for a combination of relevant unpaid writing internships and underpaid overworked (no health insurance) adjunct professor positions. Yeah, those are more specifically relevant to your writing career, but they will suck all your time, give you no money, and not leave you with any free time to write.

    Our professor today suggested taking a class on some tech skill (photoshop, HTML, etc) and then get a high-paying job that may be less relevant to your artistic passion. Then at least you’re secure and stable and can find time to write.

    I tend to agree.

    No one should have to do more than a couple of unpaid internships.

  • http://www.facebook.com/rebecca.nesvet Rebecca Nesvet

    Being a teacher isn’t “a life of little consequence.”
    Teaching is highly consequential, not only to students and society, but to the artist who is open to learning something from teaching that may enhance her or his art.
    Artists are supposed to be open to the hidden potential in everything, right? In teaching, the potential isn’t even very hidden.

    ~ A teaching artist for 10+ years.

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