I’m about to start teaching creative writing and composition once a week to a group of 11th and 12th graders in Harlem. Many of them will struggle with basic reading and writing comprehension, but my goal is to get them excited about telling their own stories, but also to respect the craft: to understand that editing is an important part of any artistic process, that attention to details helps the final product, and that constant practice (via writing and reading regularly) can only make their own creative and academic writing better.
So what kind of stuff do I want to encourage them to read in order to get excited about books and about writing their own stories? My mind automatically goes to “the classics,” a list of books many of which I haven’t even read myself (cue the guilt). But are these the best works to get them excited?
The bigger question is this: Is a classic work of literature (fiction and nonfiction included) always “good” writing?
Having studied literature at the undergraduate and graduate level, I know that I fall into the trap of wanting to love works that are “important” just because they are “important.” It’s intimidating to criticize a work that’s widely loved and respected and revered.
But the reality is that we are all different kinds of writers…and readers. We’ll connect with different works. And beyond that, just because something has prestige, doesn’t mean it has literary merit.
That’s the point of the latest anthology from Autonomedia: “The Worst Book I Ever Read.” It’s a gutsy title, and an ever more gutsy collection. The authors take on the most standard works of our cultural commons: from The Bible, to David Sedaris, to Jorge Luis Borges, and admit that they’ve always hated them. It’s a no-holds-barred take on the world of the literary untouchables. Check out a review of the collection here and buy the book here.
Luckily, I’m starting to get to a point where I feel comfortable thinking for myself, liking what I like, and admitting that I don’t like Jane Eyre. A good mix of the contemporary and “classic” sounds like a good place for my students, too.

















