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“…As He Fumbled For 15 Minutes With My Bra…” Or, The Difficulties of Sex Scenes

Jessica Digiacinto / Wednesday, June 23, 2010 View Comments

claimingI clearly remember the time I read through my first literary sex scene.

I was probably around 10, or 11 years old, and I was probably reading some adult book I had pilfered from my mom’s bedside table or that someone else had pilfered from their own mom’s bedside table.  Where the book came from, or even it’s title, isn’t important, what is important is that Anne Rice was behind it — and spared no details.

Obviously, I wasn’t old enough to understand what was going on in the pages I skimmed through during one long summer afternoon, but even as a very young writer, one who had just barely begun to record life with big, loopy letters, I was concerned with how Rice actually got the courage to write such lurid details.  And they were lurid.  At least to a 10-year-old.

These days, I have that same concern.

Yes, I’m older.  Yes, I understand sex and see it as a natural part of life (I somehow missed the whole Shame and Guilt dance Roman Catholicism can often force its young followers to do…and left the church before they could tell me it was even worse to do It before marriage), but I’m still much preoccupied with putting it into my own writing.

I mean, we all like to watch sex scenes.  And we all like to read them, too.  They’re fun.  They break up the monotony.  They give us ideas. Etc. But.  How does one create a sex scene that doesn’t (ahem…) suck?

One of my Lit Drift cohorts recently pondered the question of writing good sex, and brought up proof that I have a reason to be concerned: The Bad Sex in Fiction Award.

There are people out there just waiting to point and laugh at your vulnerable, quivering paragraphs and descriptions.  They can’t wait to expose it’s flaws in the harsh, mean light of literary criticism.

It makes a girl want to keep her characters clothed forever.

Not only is there now officially a place where earnest sex scenes go to be neutered, there’s also the issue of excitement. Do you write a sex scene that’s exciting, enjoyable, fun?  …Or do you write about what really happens?

I haven’t yet come up against a place in my writing where I need to get all detail-heavy during an intimate moment, but when the time does come, there’s no way anyone will be ripping anyone’s bodice or sighing uncontrollably.  I couldn’t write the candle-lit, beautiful people with no awkward tendencies Hollywood version.  I’d have to write the real version.  Which might sound like this:

…And then he took out his less-than-impressive member and poked around for a bit before her right arm went numb and they had to switch positions.  Which they did, knocking over a cheap Target lamp in the process.  Ten minutes later, someone went to sleep satisfied while someone else turned on a rerun of Friends.

OK, perhaps a slight exaggeration of how I would do it, but you can see my point, can’t you?  Sex isn’t always exciting or smooth.  Sometimes people knock over candles and almost start fires.  Sometimes someone gets poked in the eye.  Sometimes it’s annoying.

And yes, sometimes it’s beautiful and passionate and vaguely like that scene in that movie you saw starring Angelina Jolie, but even our best real life sex hardly compares to a carefully edited, romanticized, made up version.

So what do we do?  Create scenes that are erotic page turners because they’re so unlike our real life (and risk a Bad Sex Award for sincerely overshooting the mark?), or fashion something that hit so close to home you can almost taste the “strawberry-flavored” condom which actually just made your throat itch?

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  • http://www.litdrift.com JK Evanczuk

    I think I was 10 or 11 when I encountered my first sex scene, too. At that age, I read even more voraciously and indiscriminately than I do now–I’d grab a random book off a shelf (any shelf, it didn’t matter), scan the synopsis on the back or inside cover, and if it looked interesting enough, I’d read it. So I miiiight have accidentally picked up a few romance novels that way.

    And speaking of the challenges of writing sex in fiction, here’s another one: Katie Arnoldi has a great essay up at TNB about her readers repeatedly thinking her characters’ sex lives are reflections of her own. Excerpt:

    Here’s the truth: if your characters engage in any type of sexual activity, if they even have a vaguely sexual thought, your readers are going to think it all comes directly from your own personal experience. And there is absolutely nothing you can do about it.

    In my first novel, Chemical Pink, there is a male character that likes to masturbate while playing with, and talking to, his fruit and vegetable dolls. He’s got a whole collection: the macho Eggplant doll, the Sweet Pea Sisters, the double headed Cherry Girl, the towering Zuchini boy. He gets comfortable in his bed and creates different scenarios in which he acts out his fantasies. Mr. Corn and Ms. Cantaloupe are particular favorites for the rough stuff.

    I have never found these dolls even remotely exciting but my character Charles Worthington does. The vegetable doll scene in Chemical Pink was generated from deep within his mind. It was behavior that only he would understand based on a complicated maternal relationship and a deep seeded yearning for intimacy. The details of his life in no way mirror my own. Nevertheless, many of my readers believed they knew a little secret something about me after they read about Charles and his dolls. They wanted to see my collection. I kept telling them that I don’t own any dolls, that they are not interesting to me, but no one believed me. They just smirked and winked and felt privy to my dark little secret. I’m sure they called all their friends, spread the word. And there was nothing I could do about it…

    The whole essay (it’s not long) is definitely worth a read: http://www.thenervousbreakdown.com/karnoldi/2010/06/the-challenges-of-having-sexually-active-characters/

  • Jessica Digiacinto

    So true. Every time my parents read something of mine that is remotely sexual I want to stand up and go “BUT THAT DIDN’T HAPPEN TO ME OH MY GOD YOU DON’T HATE ME DO YOU?!”

    …and it’s not like I write raunchy stuff.

    Judy Blume is another author that I read young. One novel of hers, about two girls coming of age one summer…what was the name…? I read those sex scenes a few times thinking, “holy cow…”

    But I’m so glad she wrote those scenes. It’s better than hearing about that stuff third hand in the back of the junior high bus.

  • http://traderchronicle.blogspot.com Hap

    The linked essay is definitely true, at least from my perspective as both reader and writer. Being an amateur, I’m actually very afraid of writing sex scenes, as I feel like many people would read it and think the author acting out their fantasies, and being male, I feel this is doubly so. After all, we all want to be known and respected as authors, not as literary perverts.

    Alas, I have to agree with Katie Arnoldi when she says readers will give you a wink and a smile as if to play along.

    As for HOW we should write sex, that is an interesting question. Clearly, writing the romanticized and fantasized scenes so popular in Hollywood and (Harlequin) Romance literature is an excellent way of gaining popularity (gah, too much use of that word in one sentence…sorry). In my opinion, humble though it may be, it’s entirely because it is fantastic and utterly unrealistic. Everyone wants that perfect sex, where kisses land perfectly, bodies come together on the first try, and the climax is mind-blowing (if this is realistic for you, I’m overcome with jealousy). But like you said Jessica, most of the time the event has its ups and downs, its pros and cons, and since most people experience that, they don’t want to relive it with their favorite characters. Where’s the fiction if they did?

  • http://michelleglauser.blogspot.com Michelle Glauser

    Hmm. “I mean, we all like to watch sex scenes. And we all like to read them, too.” I don’t agree with this. I think most sex scenes are distasteful and not important to the plot. The one time I saw the purpose of a sex scene was in “The Namesake,” where the two sex scenes make a fabulous contrast of the differing generations. But that’s all. I just wish books and movies would stop relying on sex to add some spice. Are the writers unable to do better?

  • http://waverlyandwaverly.com/2010/06/24/sexing-the-literary-cherry/ sexing the literary cherry « waverly and waverly

    [...] difficulties of writing sex scenes. The latest? Lit Drift’s cheekily titled article, “‘…As He Fumbled for 15 minutes With My Bra,’ Or The Difficulties of Writing…. In May author Randy Susan Meyers wrote an article, “Sex Scenes in Novels” on the same [...]

  • http://traderchronicle.blogspot.com Hap

    It’s not just about adding spice. It’s about adding another depth. Writing sex scenes isn’t just about heating up the text (well, sometimes it is, but hopefully not always). It’s about developing a more fully human character or creating deeper rapport between two characters. It’s about bringing a potentially awkward situation to life and revealing how the characters react. In some fiction, this isn’t shown through the general text (how many SFF characters have awkward meetings? Seriously). And your example, “The Namesake,” proves this point as well.

  • http://deetass.wordpress.com/ Dee

    I agree with Hap – a sex scene should never just be there. It should either move the plot on or develop the characters involved.

    The choice seems to be between Hollywood idealism or embarrassing realism. What about a middle ground? It is perfectly possible to write a hot, romantic sex scene that maintains a sense of realism. You can do it by injecting some humour (bras are notoriously difficult to remove) or simply by having the characters continuing to communicate.

    It’s also important to remember why they’re having sex – is it a revenge thing? A desperate get-together after a life-threatening event? The reunion after a lifetime apart? Motivation is what moves your characters through every scene – why should a sex scene be any different?

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