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Watch A Doc & See How the Other Half Lives

By JK Evanczuk on Thursday, September 10, 2009 - 1 COMMENT

Veoh documentary: Prostitution Behind the VeilAn old writing teacher of mine once said to my class, “I read because I’m secretly a peeping Tom. I want more than just a glimpse of someone else’s life–I want to be a full-on voyeur. I want to step into someone else’s skin and see the world from their eyes. Because when else would I ever get to do that?”

So maybe that explains part of the pleasure I get from watching documentaries on Veoh. A user named simply “documentaries” (is it the BBC? an avid documentary fan? the film gods themselves, digitized and uploaded for our mortal amusement?) has hundreds of documentaries online, for free, and I’m starting to worry if my fascination with them has become something of a problem. The documentaries are a veritable sampling of the (intensely) varied human experience and include such titillating titles as “My Car is My Lover,” “The Man With No Past,” “Child Chain Smoker,” “Prostitution Behind the Veil,” and “The Boy Whose Skin Fell Off.” Lest the titles might lead you to believe I’m directing you to a collection of Jerry Springer-esque romps: all of the documentaries (or those I’ve seen, anyway) are both intriguing and refreshingly fair-minded. And most of them are less than one hour long, which means that when you finish one, it doesn’t seem so indulgent to start another, and then another, and then another… Read more »

Before the Music Dies: Where Does the Creative Work End and the Corporation Begin?

By JK Evanczuk on Tuesday, June 16, 2009 - COMMENT ON THIS

In the documentary Before the Music Dies, a bevy of accomplished artists including Ray Charles, Erykah Badu, Elvis Costello, Dave Matthews, and more weigh in on the steadily commercialization of the music industry. I’ve had my eye on the film for a while now, mostly because of this clip:

Just be butt-naked somewhere. Butt-naked somewhere with glitter and a beeper.

Yes it’s ridiculous, and yes it makes Badu seem batty, but what she says rings true. And the rest of the film is just as eye-opening and engrossing. I’m not a music industry-type at all, or even much of a music-y person, but this doc really moved me. Maybe that’s because the core issue isn’t exclusive to the music industry. In a commercial world, how can you a) create art and b) succeed? At what point does the creative work end and the corporation begin?

I’ve put the trailer for you below, but if you’re interested you can just watch the whole documentary newly released (for free!) online on Hulu.

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