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 In the introduction to the third volume of the literary journal, Electric Literature, the editors lament the decline of traditional reading. Yet they also recognize the fact that we are all now reading more than ever, and at a faster pace: tweets, blogs, texts, and, yes, books. So instead of publishing a death notice for the literary age, the editors present an innovative collection of stories, mediums, and writers meant to challenge the idea of conventional literature. Read more »
Sometimes I feel like a broken record. I say it over and over again — the Internet is making people more literate, not less. (We’ve written about this before — see Jennifer’s great post about “the new literacy” here).
Then a column like this comes along and I feel like I have to debunk it or at least go on a rant for a bit:
Click, tweet, e-mail, twitter, skim, browse, scan, blog, text: the jargon of the digital age describes how we now read, reflecting the way that the very act of reading, and the nature of literacy itself, is changing. The information we consume online comes ever faster, punchier and more fleetingly. Our attention rests only briefly on the internet page before moving incontinently on to the next electronic canapé…The internet has evolved a new species of magpie reader, gathering bright little buttons of knowledge, before hopping on to the next shiny thing. It was inevitable that more than a decade of digital reading would change the way we do it…Meanwhile, a generation is tuned, increasingly and sometimes exclusively, to the cacophony of interactive chatter and noise, exciting and fast moving but plethoric and ephemeral. The internet is there for snacking, grazing and tasting, not for the full, six-course feast that is nourishing narrative. The consequence is an anorexic form of culture.
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Twitter is not especially well-known for fiction. But maybe that will change. Writers are embracing Twitter for the creative challenge imposed by its 140-character limit, for its real-time functionality, and for its interactivity. Twitterature, or Twiction, or whatever else you’d like to call it, is not just a means of reaching today’s ADD-raddled reader–it’s a new medium entirely, spawning new ways to create and interact with fiction.
So without further ado, here’s a short guide to try innovative and interesting Twitter fiction projects, past and present:
 Electric Literature’s highly anticipated “microserialization” of Rick Moody’s novel begins today, and is definitely worth a read. Rather than chopping up a pre-written story into 140-character bursts as many other Twitter novelists tend to do, Moody wrote his novel Some Contemporary Characters expressly for Twitter and embraced the character limit as a source of creative inspiration. Each section of the novel comes every 10 minutes and lasts until December 2nd.
 Last Bloomsday, two Ulysses enthusiasts took the novel’s 10th chapter, Wandering Rocks, and retraced all the events of that day on Twitter. Videogame designers Ian Bogost and Ian McCarthy registered 54 of the novel’s characters as Twitter users, who all Tweeted about what they were doing on June 16, 1904 at the correct fictional times. (Old project, since June 16 is long past at this point, but still worth a read. Here’s hoping Bogost and McCarthy will revive the project in some way next Bloomsday.)
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 This week: the J.D. Salinger tizzy resurfaces (um, in a funny way), Sarah Palin’s tips for writing a book, and a Twilight parody, all after the jump. Read more »
This week: Banned Books Week, R.L. Stine, literary recommendations, and some witchcraft, after the jump. Read more »
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